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Critical Storytelling in Uncritical Times shares the stories of undergraduate students and educators in U.S. higher education. Storytellers in this volume grapple with issues of bullying, stigma surrounding mental health, cultural barriers, gender inequity, and other forms of struggle in educational settings. The disciplinary backgrounds of the authors are diverse, including Psychology, English, Communication Studies, Business, and Educational Foundations. The authors write stories about their role(s) in resisting (or failing to resist) oppressive conditions in schooling, and their contributions draw attention to critical problems in 21st century. This anthology was planned, written, and edited by students and four faculty members. The stories shared in each chapter were completely at the discretion of the contributor. By making themselves vulnerable, participants investigated stories of personal and social import. This book engages a community of critical voices in an age where critical storytelling has never mattered more. “Critical Storytellling in Uncritical Times is a pulsating work of self and social discovery, where autoethnographic accounts of high school students, pre-service teachers and teachers are assembled into a ‘cut and mix,’ a flux-and-change ethnographic prism that enables readers to view students as educators and educators and future educators as students. It is a book that shows how alliances for social justice can be formed that transcend race, class, age, gender, sexuality and social capital. All of us in the teaching profession would do well to read this book together with their students.” – Peter McLaren, Distinguished Professor, Chapman University.
Teaching --- storytelling --- onderwijs --- opvoeding
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Storytelling is one of the oldest, yet most provocative human art forms. It allows us to learn through the illustration and presentation of events as they happened in real time, through the words of those who participated, allowing the reader to understand and recognize the unvarnished truth. As a means of education and learning, it is innately valuable. Speaking of race and racism, it allows us to underscore our values and principles of social justice. It allows the participants to express their insights and knowledge through their actual experiences. The author has done just that with Race, Politics, and Basketball – a fascinating story of race, racism, politics, education, and inequality in the early 1970s, told through the voices of those who were there, who witnessed it and were a part of it. It provides the juxtaposition of good and decent white kids with an unparalleled mentor who kept them on the straight and narrow, against good and decent Black and Cape Verdean kids who were forced to face the daily forces of inequality and racial unrest each and every day. The summer of 1970 was immensely educational for all who experienced it. The Vietnam War, the civil rights movements, Black Panthers, a long, dreary recession with high unemployment – all explained through the voices of white and Black kids and adults who were there, in New Bedford, Massachusetts, living through it, and navigating the ebbs and fl ows of their daily lives. In the middle of it all, a 17 year old Cape Verdean kid, standing outside a club in the city’s West End, during a period of unrest, was gunned down by three white kids from the suburbs. They didn’t even know him. To top it off, they were all acquitted at trial, despite the fact that the guy who shot the gun confessed to it. The book tells a fascinating story of inequality, race, and politics that can help us understand the struggles that we are still going through today, as we try to understand and reconcile our differences, and treat everyone as equals. Anyone interested in the issue of race and racism in America today should read this story. Gerry Kavanaugh is the Senior Vice Chancellor at the University of Massachusetts Dartmouth. He was the Chief of Staff to Senator Edward M. Kennedy in Washington, DC, and now lives in New Bedford with his wife, Colleen.
Teaching --- storytelling --- onderwijs --- racisme --- opvoeding
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Storytelling is a fundamental mode of everyday interaction. This book is based upon the Narrative Corpus (NC), a specialized corpus of naturally occurring narratives, and provides new paths for its study. Christoph Rühlemann uses the NC's narrative-specific annotation and XPath and XQuery, query languages that allow the retrieval of complex data structures, to facilitate large-scale quantitative investigations into how narrators and recipients collaborate in storytelling. Empirical analyses are validated using R, a programming language and environment for statistical computing and graphics. Using this unique data and methodological base, Rühlemann reveals new insights, including the discovery of turntaking patterns specific to narrative, the first investigation of textual colligation in spoken data, the unearthing of how speech reports, as discourse units, form striking patterns at utterance level, and the identification of the story climax as the sequential context in which recipient dialogue is preferentially positioned.
Anglais (langue) --- Discourse analysis, Narrative. --- Conversation analysis. --- Storytelling. --- Analyse du discours narratif --- Storytelling --- Erzähltechnik. --- Erzählperspektive. --- Konversationsanalyse. --- Oral interpretation of fiction --- 802.0-56 Engels: syntaxis; semantiek --- Engels: syntaxis; semantiek --- Conversation analysis --- Discourse analysis, Narrative --- 802.0-56 --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Narrative discourse analysis --- Narration (Rhetoric) --- Analysis of conversation --- CA (Interpersonal communication) --- Conversational analysis --- Oral communication --- Performance --- Fiction --- English literature --- English language --- Pragmatics --- Englisch. --- Discourse analysis. --- Analyse du discours narratif. --- Discourse analysis --- Arts and Humanities --- Language & Linguistics --- English language - Discourse analysis
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This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliché, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.
Film --- Los Angeles [California] --- Motion pictures --- Motion picture industry --- Couples in motion pictures. --- Man-woman relationships in motion pictures. --- Romance films. --- Chick flicks --- Love films --- Hollywood romance films --- Romance (Motion pictures) --- Romance movies --- Romance pictures (Motion pictures) --- Romantic films --- Romantic movies --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Storytelling. --- Happiness in motion pictures. --- History. --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance
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Many of the traditions which we think of as very ancient in their origins were not in fact sanctioned by long usage over the centuries, but were invented comparatively recently. This book explores examples of this process of invention - the creation of Welsh and Scottish 'national culture'; the elaboration of British royal rituals in the nineteenth and twentieth centuries; the origins of imperial rituals in British India and Africa; and the attempts by radical movements to develop counter-traditions of their own. It addresses the complex interaction of past and present, bringing together historians and anthropologists in a fascinating study of ritual and symbolism which poses new questions for the understanding of our history.
Sociology of culture --- cultureel erfgoed --- Folklore --- cultural heritage --- traditie --- anno 1800-1999 --- Manners and customs --- Rites and ceremonies --- #SBIB:93H3 --- #SBIB:316.7C122 --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Material culture --- Mythology --- Oral tradition --- Storytelling --- Ceremonies --- Cult --- Cultus --- Ecclesiastical rites and ceremonies --- Religious ceremonies --- Religious rites --- Rites of passage --- Ritualism --- Mysteries, Religious --- Ritual --- Origin of manners and customs --- Origin --- Thematische geschiedenis --- Cultuursociologie: overtuigingen, waarden en houdingen --- Sociology. --- Social theory --- Social sciences --- History. --- History and criticism --- #VCV monografie 1999 --- 323.1 --- 323.1 Nationale bewegingen. Nationalisme. Rassenpolitiek --- Nationale bewegingen. Nationalisme. Rassenpolitiek --- 815 Geschiedenis --- 812 Ideologie --- 826 Imperialisme, Kolonialisme --- 841 Politiek Bestel --- 844 Sociale Structuur --- 846 Identiteit --- 860 (Vredes)cultuur --- 881 Afrika --- 883.5 Zuid-Azië --- 884.2 Noord-Europa --- Folklore. --- Origin. --- Moeurs et coutumes --- Rites et cérémonies --- Origines --- Origine --- Folklore. Geschiedenis. (Versch. onderwerpen) --- Coutumes. Origines. (Mélanges) --- Folklore. Histoire. (Mélanges) --- Gebruiken. Oorsprong. (Versch. onderwerpen) --- British --- Mœurs et coutumes --- Rites et cérémonies --- Britanniques --- Rites and ceremonies. --- Social life and customs. --- Histoire --- Windsor, House of --- Manners and customs - Origin --- Rites and ceremonies - Origin --- #SBIB:
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